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Featuring the movie
premiere of Chesterton's novel, Manalive
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31st Annual Chesterton
Conference:
The Beano in Reno The 31st Annual G.K. Chesterton
Conference will be Aug. 2-4, 2012, at the Silver Legacy Hotel (and
Casino) in Reno, Nevada.
Discounted room rates are
available for conference attendees who stay at the Silver Legacy
Hotel! Call 1-800-687-8733 and mention group code ACS812 to
reserve your rooms today at the discounted rate.
For more information: http://www.chesterton.org
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Celebrating the 100th anniversary of Chesterton's book, Tremendous Trifles. Friday night saw the world premiere of
a new Father Brown mystery with Kevin O'Brien as Father Brown, and a
discussion with the cast and crew.
The DVD is available from EWTN by calling 1.800.854.6316 (no. HDTOW8). |
A Trifling Affair:
Notes on the 28th
Chesterton
Conference
-By
Gord Wilson.
The 28th annual conference, held
August 6-8
2009 at Seattle University, was the first to take place out of the
midwest, and celebrated, after a fashion, the centennial of the 1909
publication of GKC's light essay collection, Tremendous
Trifles, recently
reprinted by Dover. While I attended the entire 25th conference (see
below), I only caught the last day (Saturday) of this one. Hopefully
someone who attended the other days will provide a review and
reflection.
The following talks are available on
audio CD for $6 each, or the set of eleven CDs for $55, from the
American Chesterton Society site: http:www.chesterton.org. "The Danger of Trifling with Chesterton
(Dale Ahlquist);
"Learning to Fly" (Geir Hasnes);
"Revolvers and Swordsticks: The Roots of Chesterton's Spiritual
Theology" (Nathan Allen);
"GKC and Education: Why We No Longer Use Chalk" (Carl Hasler); "Chesterton and
War" (Michael Perry);
Chesterton and Drama (Kevin
O'Brien); "Chesterton and Frank Capra" (Rod Bennett); "Chesterton and
Alfred Hitchcock" (David Deavel);
"Becoming Innocent" (Mark Shea);
and "Seven Days and Seven Heavens: Chesterton and C.S. Lewis" (Michael Ward).
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Saturday
morning began with a talk on Chesterton and filmmaker Frank Capra by
Rod Bennett, author of The Four
Witnesses. As the former editor of a
magazine called Wonder, he
had once published a piece by Chesterton
Society president, Dale Ahlquist, on Capra's "It's a Wonderful Life".
In this, and other Capra films, he saw GKC's ideas incarnated. After
giving some bio and how he came to read GKC, Rod noted that comedy is
one of the most serious art forms, because it brings the mystery of
life to light in ways more serious art forms cannot do.
Rod called Chesterton an apostle of
affirmation in a world gone gray. Similarly, he noted that while his
films are often dismissed as "Capra corn", faith and joy are hard-won
in Capra's films, which show that the same set of facts can have both a
joyful and a dark side. He mentioned Eric Gill, and two distributist
books related to the agrarian revival, I'll Take My Stand, and Who Owns
America? which date from that era, and with which I am not familiar. He
closed recommending something with which I am familiar, the Bell
Science animated films, written by Frank Capra and animated by Shamus
Culhane. Or at least the first four were, which include "Hemo the
Magnificent" and "Our Mr. Sun", and are available from Amazon with two
films per DVD http:www.CartoonsWithoutCable.com
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Continuing the film note, David
Deavel, a writer for Gilbert!
magazine and an editor for Logos
magazine, spoke on Chesterton and Alfred Hitchcock. Most of the
audience had far more interest in Hitchcock than I did, judging from
the questions. But the presentation was nevertheless one of the best
I've heard. Commenting on Hitchcock's film of John Buchan's novel, The
39 Steps, he noted that people like to feel fear when they are
safe.
Hitchcock read Chesterton's first essay collection, The Defendant, in
which GKC "defended" penny dreadfuls and popular culture. Crime stories
are essentially fairy tales, noted GKC. "The temptations to crime are
in life and not in literature." David found a great deal in common
between the two writers, noting in some of Hitchcock's films a pattern
of guilt, confession, penance, and redemption. He also cited this
telling quote from GKC's priest detective, Father Brown, in The Hammer
of God: "I am a man, and therefore have all devils in my heart".
"A man should feel he is still in the
childhood of the world," remarked
GKC in his novel, The Club of Queer
Trades, and David noted that in
Hitchcock's films, as in Chesterton's novels, the essence of the story
is in the chase. He suggested that GKC's novel Manalive may have
influenced Hitchcock's little-seen The
Trouble with Harry. Remarking
on the upcoming film of Manalive,
he claimed the Belgians had already
made a film from the novel, titled Return
to the Redhead, which
hopefully will circulate with English subtitles.
He quoted Borges, saying that
"Chesterton restrained himself from being
Poe or Kafka, but something in him strained toward the nightmare,"
pointing out that The Man Who Was
Thursday is subtitled "A Nightmare".
Both the filmmaker and novelist explored the collision of the ordinary
and extraordinary, in attempting to "find the floor in the universe".
It was here, however, that the two men diverged. In a film like The
Birds, inconvenience turns to horror. "An inconvenience,"
Chesterton
maintained, "is only an adventure wrongly understood, while an
adventure is an inconvenience rightly understood."
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GKC in St. Paul Thoughts on the 25th Annual Chesterton Conference |
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by Gord Wilson |
Gord and Dale Ahlquist |
Adam Schwartz |
Carl Olson |
Gord, Dale, Dorothy
Schlinger, Erich (EW) |
The Tremblays of
Texas and Gord |