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Read the Book, See the Movie:
Scott Sentinella Considers
 Roald Dahl on Film




Roald Dahl is an author of children’s books whose distinctly British and darkly humored novels have been turned into some delightfully twisted films. Dahl’s most lasting achievement is probably the book Charlie and the Chocolate Factory, which has been filmed twice, with both versions remaining popular. But this wasn’t always the case.
    It may surprise many to know that 1971’s Willy Wonka and the Chocolate Factory opened to a lukewarm response. The film may have struck audiences as mean-spirited, but the movie gained a new following once it hit television. The interesting thing is that Tim Burton’s remake, Charlie and the Chocolate Factory, is superior to the 1971 version in every way, except for the performance of the actor playing Wonka. The first film had Gene Wilder, whose performance will live forever; the second film has Johnny Depp, who is amusing, but one-dimensional.


"Gene Wilder's performance will live forever."
     

Golden Ticket

The story of the 1971 film remains well known. Charlie Bucket (Peter Ostrum) is a poor boy living with his parents and grandparents. When candy maker Willy Wonka (Gene Wilder) decides to re-open his chocolate factory, he does so by slipping just a few “Golden Tickets” (to the re-opening) into his candy bars. Charlie gets one of the tickets, so he and his grandfather (Jack Albertson) find themselves in Wonka’s factory, along with the other Golden Ticket winners, all brats. One by one, the other kids disobey Wonka’s rules, and are subjected to amusing consequences.

    Despite imaginative sets and famous songs, Wonka now appears rather rinky-dink to these jaded eyes (I liked the movie more when I was seven). The acting is a bit weak, except for Wilder, whose portrayal of the half-mad Wonka remains an indelible childhood memory for anyone who’s been watching TV since about 1974. The famous sequence where Wilder, sitting at the head of a boat traveling through a “psychedelic” tunnel, begins crooning “There’s no earthly way of knowing, which direction we are going”, remains as unnerving as ever.

With this kind of nuttiness inherent in the material, Tim Burton was the perfect person to remake the film. Yet there were howls of protest proclaiming how dare Burton touch the 1971 classic; one wonders how many of those complaining realized nobody cared much for the earlier film upon its original release. The resulting 2005 Charlie and the Chocolate Factory displays more of Burton’s style than his Alice in Wonderland, but the strange thing is that both the 1971 and 2005 productions really are extremely faithful to the book. Burton’s film isn’t really a “re-imagining”; it’s a straight-up remake, and a good one.



"Burton's film is a straight-up remake, and a good one."


Dazzling Visuals

Burton’s reputation for dazzling visuals is on full display, and most of the cast, including Freddie Highmore (Charlie) and David Kelly (Grandpa), out-perform their 1971 counterparts. The big difference this time around is that Johnny Depp portrays Wonka, and he is deliciously creepy in a way that fits Burton’s vision. Looking and sounding like Michael Jackson, Depp doesn’t emulate Wilder in any way. This proves to be a wise move, because although Depp is fun to watch, he appears to simply be fooling around. Wilder was genuinely warm and fatherly, and then deeply scary; Depp never appears to be similarly invested in the material. Let’s put it this way: Wilder is playing a fully rounded character, whereas Depp’s performance, while fun, feels like more of a stunt.

The 2005 adaptation also runs longer than the earlier version, due to the addition of an extraneous subplot about Wonka’s estrangement from his father (Christopher Lee). And, surprisingly—considering Burton’s penchant for the macabre—the remake makes it clear that the other bratty kids did survive their time in the chocolate factory; in the 1971 version, for all you knew, they didn't. As with the revelations about Wonka’s father, Burton’s revisions seem unneccessary.

Both films remain entertaining. The DVD for the 1971 movie features a 1971 featurette, a sing-along, a trailer, a 2001 documentary, a commentary and a photo gallery. The single-disc DVD for the 2005 film includes the trailer, a featurette, and an interactive activity, “The Oompa-Loompa Dance”.


Lesser-known Dahl

Dahl’s book, James and the Giant Peach remains lesser known than the adventures of Charlie Bucket, but it shouldn’t be this way. Filmed in 1996 by director Henry Selick, James tells another scary tale of a British orphan named James (Paul Terry) left in the care of his abusive aunts. This portion of the film is in live-action, but once James finds himself traveling in a fifty-foot-tall peach, inhabited by giant insects  (voiced by Simon Callow, David Thewlis, Richard Dreyfuss, Susan Sarandon, Jane Leeves and Miriam Margoyles)—everything turns into stop-motion animation.

     James is visually impressive, but the story doesn’t hold together as well as Charlie and the songs are less memorable. Still, anyone who’s a fan of Dahl, Selick or animation should try the DVD, which comes with a few extras—a music video, a “making-of”, a stills gallery and a game.
"James is visually impressive."




"Awfully scary for kids under six."


Nightmarish Imagery

Even more obscure than “James” is 1990’s live-action The Witches, starring Anjelica Huston and directed by Nicholas Roeg. Dahl’s nightmarish imagery abounds as a young boy (Jasen Fisher) stumbles upon a witches’ convention at a hotel. The Grand High Witch (Anjelica Huston) plans to turn all children into mice, and when she begins with our hero, it’s up to his grandmother (Maj Zetterling) to fix things.
  
The Witches is fun for kids who aren’t easily freaked out, with Huston’s performance being a standout. The movie is available only on a pan-and-scan, extras-free DVD, probably due to its box-office failure. Unfortunately, none of the films based on Dahl’s books have been financially successful (Tim Burton’s Chocolate Factory remake aside).



Delightful Animation                                          
Wes Anderson’s wonderful film based on Dahl’s Fantastic Mr. Fox also failed to attract audiences. This delightful stop-motion animated feature is as quirkily offbeat as Anderson’s Rushmore, but with its cast of talking animals it still plays as fun family entertainment. Mr. Fox (voiced by George Clooney) has promised his wife (Meryl Streep’s voice) that his poultry-stealing days are over, but about twelve years into their marriage he resumes his old ways. The result is that the local farmers are determined to flush the Foxes and their animal friends out of their homes, but the critters fight back. The marvelous thing about “Mr. Fox” is that it still feels like a Wes Anderson film, from its use of onscreen chapter titles to several unusual music choices on the soundtrack; how many “kids’ movies” use the Rolling Stones’ “Street Fighting Man”? The DVD is light on extras, with only three featurettes (total running time-15 minutes), and the trailer.
"Quirkily offbeat stop-motion animated feature"



"From UK award- winning studio Cosgrove-Hall"


Fantastic Mr. Fox deserves better than it got at the box office, but who knows?  The BFG (Big Friendly Giant) also got animated treatment, this time by award-winning UK animators Cosgrove-Hall, creators of the animated cult classic, Danger Mouse. It's a family favorite, suggested for kids three and up. If the once little seen Willy Wonka can become a classic, maybe the same thing will happen to the films of Giant PeachWitches and Mr. Fox. Both Chocolate Factory films, Giant PeachThe Witches and Fantastic Mr. Fox are all worth seeing (although Witches is awfully scary for kids under six), and, despite my reservations, you will probably want to buy the original “Willy Wonka”, if only for Gene Wilder.



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